Tag Archives: Fisking

Fisking the Guardian's Village Idiot, Part 2

Continued from yesterday:

Fisking the Guardian's Village Idiot: Part 1

As I was writing up that last fisk, some sane people were commenting on the Guardian article. Because Damien’s responses were so idiotic, this Fisk turned into a two parter, with this section being more of an explanation of my personal philosophies for dealing with morons and bullies. In the comments it was pointed out that pretty much everything Damien said related to me was a lie and Damien smells funny (okay, I added that last part). Here is what Damien had to say in his defense:

I think Correia did two things. The first was appeal for votes on the basis of a perceived liberal bias in the genre.

So he can read… Duh.

That was the basis of his campaign, a protest vote against liberal influence. That was divisive and did a lot to spark the backlash he’s still feeling.

Demonstrating that bias exists in a biased system: DIVISIVE.

Attacking, libeling, and sabotaging authors of diverse opinions to intimidate them into never speaking up against a rigid, homogenous groupthink… NOT DIVISIVE.

Got it!

Man, it must have really sucked for him the way their insane reaction validated everything I said. It would have been much nicer for everybody if I would have just kept my mouth shut like right wingers are supposed to, then they could continue slandering people in peace. How very divisive of me.

Secondly, and this is going to be much more damaging for him longterm, he allowed himself to become very closely associated to Vox Day in the process. Ultimately people do judge others by their associations, and both Larry Correia and John C Wright have made very public declarations of support for Day, that I fear both will deeply regret in the long run.

One of the tactics I’ve seen them take is conflating my views with those of Vox Day. It doesn’t matter that I’ve disagreed with the man, and I’ve debated with him several times, but they sure love linking me to Vox. See, unlike me, they can actually find a couple of comments from him that they can manage to spin up some outrage over, and everybody knows righteous indignation gives libprogs super powers.

You have an issue with something Vox said, take it up with him. I did, and I found the guy to be a capable debater, and many of the insinuations about him floating around the internet were grossly exaggerated. (says the man who the Guardian has insinuated hates women and wants to keep fiction the exclusive domain of a group he doesn’t technically belong to, so I simply can’t imagine the internet exaggerating somebody’s beliefs.)

The woman Vox insulted with the infamous half-savage comment also has a long history of inflammatory racial statements, and had been throwing insults at Vox for years, but somehow she always gets a pass in these discussions about “divisiveness” (remember what I said earlier about the Ctrl H search and replace to put Jew instead of White Man in their tweets? She’s totally the best). I don’t think she likes me much either, because she gave a speech a little while ago and condemned Mr. Free Speech At All Costs… I think that’s supposed to be me, but personally I took that as a compliment, because you know, that part where I actually believe in free speech and stuff.

So I recommend a short story by somebody who made a statement they found racist? DIVISIVE! And Damien will condemn me in his newspaper. Meanwhile, an approved author writes tons of negative things about an ethnic group that it is cool to hate? Totally not divisive, and Damien will plug her in his newspaper. Now me personally, I think the concept of race is increasingly irrelevant bullshit, and I judge all humans as individuals, but I’m the International Lord of Hate.

Public declaration of support? By that Damien means I failed to join his lynch mob? Sadly I couldn’t find my jack boots in time.

I enjoyed Vox’s story and I put it on my slate, that doesn’t make me his spokesman. The guy is capable of defending his own beliefs. My only public declarations of support have been in favor of free speech. That honest to God belief in free speech is one of the reasons my slate could include the author Damien’s SJW contingent hates more than any other. As a happy bonus, getting their Public Enemy Number One on the ballot caused so much SJW wailing and gnashing of teeth that it helped me accomplish my goal of exposing their bias. Anything that makes statists that rage-sputtery is fun for me.

Here’s the thing, I’m a whole lot more worried about censorship minded, career sabotaging, bullies becoming the final arbiters of acceptable than I am the writings of a contrarian who likes to get into arguments. Free speech especially includes the speech of people you disagree with. The answer to speech you don’t like is more speech, debate and argument and convincing the undecided, not purges, blacklisting, and smear campaigns designed to keep everyone in line. If somebody says something stupid, demonstrate why it is stupid.

For example, I’d never wish for Damien to quit writing for the Guardian, because his blathering is comedy gold.

Today it is acceptable to destroy somebody who said something you don’t like, or you can fire somebody from a job for giving money to a political campaign you don’t like, or you can run off an award show host because of what he might say in the future, or you can disinvite a fan guest of honor because of an anonymous accusation, or you can slander an editor putting together an anthology about diversity because his politics are “troubling” (even if it turns out he’d lived in the 3rd world much of his life). So what is going to be acceptable tomorrow?

If not now, when does it become okay to finally stand up to the perpetually outraged crowd and tell them no? To spineless weasels like Damien, the answer is never, because he’s a quisling.

Quests for purity always inevitably lead to purges, and we’ve already seen the beginnings of that with them turning against people on their ideological side who’ve grown weary of the constant outrage, so those people get a bunch of outrage until they are shamed, forced to apologize, and fall back in line. The nail that sticks up must be hammered down. If no nails are currently sticking up, they’ll pick one at random for sins real or imagined and start hammering that one instead.

My side jokingly call this the SJW Outrage of the Week, but sadly that isn’t really an exaggeration anymore. About once a week they fly off the handle and begin screeching about somebody, because they’re all about diversity, as long as everybody totally agrees with them.

I drew my line a long time ago. I honestly believe in free speech. Whether it is Vox or Jemsin, Matt Damon or Gary Sinise, Phil Robertson or Rupaul, their work and ideas should stand or fall on their own merits, and not some ideological narrative. Don’t like it? Too damned bad, because luckily in this country we still have the ability to say so.

I can’t speak for John Wright, and wouldn’t dare to anyway because he’s far more eloquent than I could ever be, but I’m going to go out on a limb and guess that he feels the same way I do about the dangers of writers being silenced. Let’s check: http://www.scifiwright.com/2014/06/the-evil-league-of-evil-is-given-pious-advice/

BOOM! Damn, Damien, how does it feel to get pimp slapped? John C. Wright just made you his bitch!

You know who else doesn’t like thought police? Several really famous big name writers who’ve contacted me to thank me for what I’ve done (one huge author in particular blew my mind). They’re even moderate or fairly liberal, however they’re sick of the self-righteous bullies and their endless outrage too. Only they can’t say anything in public, because they know if they do the SJWs would come for them next.

If they disagree they might get accused of homophobia in the Guardian or something…

EDIT! More of Damien’s hypocrisy was pointed out to me today. For a dude attacking me for being “closely associated” with somebody who said something controversial, he certainly has no problem in the very same article quoting an author who has publically supported NAMBLA. For those of you who don’t know, that’s the North American Man Boy Love Association, which is an organization for freaking PEDOPHILES… https://en.wikipedia.org/wiki/Nambla Look under the Associated Individuals section for Samuel Delany’s quotes about this organization. Now, if we’re looking for something offensive to “closely associate” with, I’m having a hard time thinking of anything lower than child molesters.

I’m quite serious about my suggestion by the way. I think if Correia wrote publicly to support the new diversity in the genre, and apologised for any perception he was campaigning against it, that might help him a lot.

Apologize for the perception? Apologize for being seen as an enemy of progress? That sounds suspiciously like the apologies Stalin used to have people sign right before he shipped them off to the gulag, so in response, Beria, er, I mean Damien, here are a few of my thoughts about what it really means when a libprog demands an apology.

Rule number one. Never apologize for something that shouldn’t be apologized for. Check out all the various firings, purges, boycotts, and cancellations. Apologizing for causing their outrage is you taking responsibility for their ignorance and inability to control their own emotions. Apologizing to the perpetually outraged means they own you. You have declared yourself guilty and vulnerable to their threats. It is like negotiating with terrorists. Give into their demands and you’re just encouraging them to blow something else up.

If I was the type of mushy headed fool that would issue an apology, it wouldn’t matter anyway, because as we’ve already seen my actual words and actions mean nothing compared to the agreed upon narrative, and that narrative is that I’m guilty of pretty much every vile thing they can think of. Luckily for me, I’m successful enough that these people aren’t particularly threatening, so I scrape them off my shoe and continue writing books.

Normal people only apologize for things that should be apologized for, like for example: “I’m sorry the Social Justice Warrior contingent of sci-fi is made up of a bunch of perpetually outraged adult children.” Suckers feel the need to apologize for their entire sex, their ancestors, and the melanin content of their skin.

This seems bug nuts to regular people, but just remember that when you’re dealing with a group of SJWs who see everything through a prism of shame, jealously, and guilt, they expect incomprehensible stuff like this.

Privilege Whale

I named my wireless router Privilege Whale.

So after some consideration of whether I should sign the witch hunters’ confession or not, I’m going to have to go with my final answer of, fuck off, Damien. Or bugger off, scamper? Hell, whatever it is the sane people of Britain would tell Damien to do.

Remember, we won’t know who missed out on shortlist places until after the awards. At that point Correia et al could find the response to them gets much, much worse even than when the story broke”

Wait… It is going to get even worse? So are more of you guys going to make up crazy outlandish shit about me on the internet? Because you know, that never gets old.

Is that supposed to be a threat, Damien? Because you are very bad at it. A proper threat is something like, “Keep talking shit about me, and maybe I’ll decide to do a Sad Puppies 3, only this time I’ll actually put in some effort.”

Here is another awesome Damien comment, after somebody asked him if he actually bothered to read the books of the authors he criticized:

Which writers do you mean? My piece doesn’t really criticise anyone? So who do you mean?”

Nobody could possibly be that obtuse. But to be fair, I wouldn’t say criticize, so much as much as insinuate racism and misogyny in a completely chicken shit fashion, but hey, whatever. His column must have been about the OTHER conservative author who came up with and promoted a successful internet campaign that got a whole bunch of Hugo nominations, that caused allegations of ballot stuffing and outraged all the Social Justice Warriors… Holy shit. Does that mean there’s MORE OF US?!

Seriously, Guardian, I really hope you’re not actually paying this loser because you’re wasting your pounds or euros or WTF ever it is you use for money now. Honestly, you could hire a random hobo and get better columns written (from my extensive watching of Top Gear I believe you blokes call them tramps).

Thus far Damien has been an amusing annoyance, but then a fan had to go and send this to me. This comment was posted on Twitter, long after he’d posted his article, and he was catching flack for just making shit up. This was the first time Damien actually made me angry.

  1. Damien Walter‏@damiengwalterMay 30

Can anyone help identify times Larry Correia has “responded poorly” to diversity in genre? http://www.theguardian.com/books/booksblog/2014/may/30/science-fiction-real-life-war-worlds#comment-36357742 … Seriously.

So of all Damien’s stupid shit thus far, why did that actually get an emotional response out of me? Basically, it is because I can’t believe anybody SUCKS THAT MUCH AT THEIR JOB.

I mean really, Damien, you’ve written about me repeatedly now, making up all sorts of crap while the actual evidence pointed to the contrary, and after being called on it you have to CROWD SOURCE YOUR WITCH HUNT? Holy shit, Damien, you are shockingly unsuited for this. Aren’t journalists supposed to do research first? I know that journalism is the clown college of writing, but damn that is pathetic… On second thought, I retract that comment, because clowns provide a useful service, and I can’t imagine anybody ever inviting Damien Walter to a birthday party.

So—not being racist/misogynist/homophobic—I was curious to see what damning evidence his legion of fan would come up with to condemn me. They’ve got thousands of political posts to choose from… Somebody didn’t like that I’d been a CCW instructor, and how I’d said that I’d taught hundreds of women to shoot rapists, yet these women hadn’t all LITERALLY shot hundreds of rapists, ergo I was a failure and a liar…

Holy shit.

My response to that, have you ever gone fishing? Did you catch all the fish?

They then went on to explain how my teaching self-defense to women proved I thought women were weak, and that my efforts did nothing to stop date rape, or rape within marriage, and thus showed I didn’t understand the issue. Wow. You know, I’ve got fire extinguishers around the house, but they are pretty useless against thousand acre forest fires, so I’m obviously pro-arson, and should throw all my fire extinguishers away.

Then there was a related spin off thread where various white suburbanite progs explained how I’m really a WHITE Hispanic, and as an added bonus, libertarian Sarah Hoyt is a fascist. You really can’t make this stuff up.

So because Damien’s readers sucked at finding any actual evidence of hatemongery from my thousands of political posts, I put out a call for my readership to help him find something damning for his next inevitable column about me. As usual, the Monster Hunter Nation was super helpful:

  1. Larry Correia grows an awesome murder hobo beard. Beards are scary.
  2. Larry Correia accused Damien of having a witch hunt, which is insensitive to witches.
  3. Larry Correia is a pretty good miniature painter. Hitler was also a painter.

Judging by the journalistic integrity of Damien’s previous columns, I’m sure he’ll be able to put together another article or two with that.

One funny note about my super helpful fans over the last few days, Damien or his readers dismissed some of my defenders on Twitter because they were “Straight White Males”… Turns out on some of these guys they were wrong on race or orientation, but Damien’s is the inclusive side, because obviously all minorities’ beliefs are color coded for liberal convenience.

Here is another Damien gem from the comments:

I have no clear idea what you mean by shunning or writing people out of the genre.

Let’s see, that’s got to be a lie, because he can’t be that stupid, especially as he’s participated in the shunning.

I assume you’re bringing in baggage from other discussions.

He says as he brings in every unrelated bigoted thing that has ever happened in the history of fiction and lays it at my feet.

We have a genre growing ever more diverse, and a small clique of reactionaries behaving very poorly in response to that.

He makes my campaign about something else, and then assigns his opponents absurd opinions they don’t actually hold.

And doing immense damage to their own careers in the process.

Says the doofus who supposedly has a government grant to write a novel, to the guy with more paying work than he knows what to do with.

Sad for everyone involved.

Not really. I’m rather enjoying this. The more the Damiens of the world lie and fret, the more it proves my point.

But that’s it for his idiocy today. Now I want to delve into his accusations that my exposing left wing bias was really some sort of white male war against diversity all along. Anybody who has actually read any of my books knows that is a really stupid hypothesis.

While I was getting slandered by Damien for things I never said about how writers shouldn’t write diverse characters, I had a bestselling novel out where the big heroic pivotal sacrifice moment of the story was performed by a bisexual. However, I gave that character that particular trait because it made the character more interesting, and not for the correct reason of checking off mandatory SJW boxes, which is apparently bad.

This is the same book where I got into racial segregation in the 1930s, and had a black character become a folk hero a couple scenes after he wasn’t allowed to eat in the same room as the white characters. Oh, yeah, that’s one of the two books where I got into democrat icon FDR’s propensity for throwing diverse people into concentration camps. Shoot. I forgot. Your side declared that I’m a white guy who only writes white men with busty blonde women throwing themselves on white penises.

By the way, that’s from the 2nd book of the trilogy, with the 3rd book being the controversial nomination. This is kind of funny since the hero of the series is a teenage girl, and I’ve got characters who are Chinese, Japanese, Indian, African, Pacific Islander, Filipino, British, French, Russian, the world’s surliest German, and Americans ranging from rich white Ivy Leaguer to poor Irish roughneck to southern black, all in a story where I delve into the racism, segregation, and eugenics of the 1930s. The most powerful man in the world is Japanese, and the smartest was Indian. J. Edgar Hoover was one of the antagonists. I hit everything from Wounded Knee to the Bonus Army.

Hell, if you guys didn’t know I was one of those ultra-evil libertarians who want the government to leave everybody alone equally, somebody might accidently like this book. But I wouldn’t know, since even with all the controversy most of the SJW “reviews” I’ve seen have consisted of skimming the back cover blurb before launching into accusations about how I want to drag homosexuals to death behind my pickup truck.

But that’s just me personally, looking at Damien’s primary argument from the big picture view, Sad Puppies being some sort of anti-diversity campaign is even stupider. It requires the belief that true diversity is only skin deep. It means true diversity is always agreeing with the every absurd complaint of the perpetually outraged. It requires the belief that to truly represent the diversity of the entire planet, you’ve got to be in lockstep with a bunch of left wing pseudo-intellectual crybabies from the first world.

Anybody with a few functioning brain cells to rub together knows that’s crap. Those morons aren’t even the majority in the west, let alone Bangladesh or Budapest.

While he was condemning the history of genre fiction, I want you to think about the absurd hubris in this statement of Damien’s:

We live in a world of seven billion human beings, whose culture has not been reflected or rewarded in ‘the mainstream’. Science fiction – from cult novels that reach a few thousand readers, to blockbuster movies and video games that dominate contemporary culture – has the potential to talk across every remaining boundary in our modern world. That makes it, in my opinion, potentially the most important cultural form of the 21st century. To claim that potential, it cannot afford to give way to the petulant protests of boys who do not like to share their toys

At least I have toys to share.

Who the fuck do you think you are, Damien, deciding what is suitable for the whole world? You’re a pathetic little worm of no accomplishment who makes his living critiquing people who actually create things. Where do you get off determining what are acceptable thoughts to represent all of humanity?

Check your privilege, motherfucker.

You got it backwards. A novelist’s job is to tell a story, not reflect or reward or whatever pretentious nonsense you’re spewing. Get off your high horse. We answer to them. We create work, and then the readers are going to decide what reflects them, not some unctuous little shit stain like you, and the reward is when those individuals decide they like the author enough to pay them. They’re seven billion individuals, you tool, not color coded stereotypes for you to speak for. Of them, a couple billion would stone you to death on principle, and most of the rest would wonder why you are such a worthless sack of crap.

The novelist’s job is to tell a story. Your job is to be a useless leech. Now get back to work. All those lies aren’t going to manufacture themselves.

 

Fisking the Guardian's Village Idiot: Part 1

Damian Walter is that dude over at the Guardian who made shit up about me before. That time he put words in my mouth, said that I warned writers not to write about gay characters if they want to remain commercial, and he even put it in quotes as if it was my actual words. That isn’t even close to what I said, or what I’ve actually done, and doesn’t match up with my real life actions, writing, or even the philosophies of other authors I’ve promoted, but hey, whatever.

Here is the last one: https://monsterhunternation.com/2014/04/15/larry-f-correia-international-lord-of-hate/

Note, this is going to be two part Fisk, with today being the article, and tomorrow I’m going to go through Damien’s comments where he threatened me with some nebulous harm if I don’t apologize for and confess some sins, and then he went on Twitter to ask his followers to find bad things I’ve done (normally journalists do research before writing about something).

So here is Part1. As usual Damian gets damn near everything wrong, so let’s go through and take a look at what passes for journalism at the Guardian. This is going to be long, but Damien has a real gift for shoving two or three lies, half-truths, or distortions into nearly every line. Hmm… I heard Jay Carney’s job is open.

As usual, the moron is in italics and my comments are in bold.

Here is the current article: http://www.theguardian.com/books/booksblog/2014/may/30/science-fiction-real-life-war-worlds but it is all reprinted below for your enjoyment. Note that Damian’s article is absolutely filled with links, let’s see… a dozen of them in fact, but not a single one of those links are to the actual words of the people he is maligning… Curious.

Science fiction’s real-life war of the worlds

For many years, a very particular and very narrow set of authors has dominated SF. But battle for a broader fictional universe is under way.

When is a giant lizard not a giant lizard? When it’s a metaphor for the might of the military-industrial complex. Audiences turning up for the latest cinematic incarnation of Godzilla have expressed some disappointment that much of the battling kaiju action was kept off screen.

Keep in mind, his last article about what evil homophobic hatemongers conservative writers are started out by explaining the reason male gamers played female characters in video games was so they could explore gender roles… as opposed to it being nicer to stare a girl’s butt for 200 hours of Skyrim. But nope, exploring gender boundaries.

Because when I think of socially conscious, non-binary enlightenment, I think of the LOL WUT tits or GTFO denizens of Xbox Live. So keep in mind, Damien isn’t very smart and does a lot of grasping at straws.

In its place director Gareth Edwards makes the smart decision to tinker with the kaleidoscopic political meanings that surround the giant lizard. What Edwards chooses to place front and centre are the twin legacies the second world war foisted on modern society – nuclear weapons and the United States military in all its glory. By the end of the movie we’re left in no doubt that, whatever risks they pose, we need the monstrous forces mankind can control to defend us from the monstrous forces – be they real or imagined – we cannot. Audiences want sci-fi to entertain us, but even blockbuster movies come loaded with political messages.

Okay, heavy handed straw grasping intro out of the way, I wonder how many people bought tickets to see Godzilla for the political messages versus how many went to watch giant monsters smash stuff? But hey, let’s roll with it. I think Damian’s point is that political messages in sci-fi exist… Yep. As much as they try to rewrite my old posts to be that message fic shouldn’t exist at all, on the contrary, I said it did, but that if you wanted to be successful, you needed to put the story first, and once you’ve provided your readers with enjoyment, then you can slip in your message… Message first can turn off readers. And as much as they try to change the narrative, my words (which they never actually link to) are right there.

Or in this case, the giant lizard came first, message second. Damn, Damien, even your intros get the slander wrong. I really hope you’re just an unpaid intern or something and the Guardian isn’t actually giving you money for this shit.

In recent months the community of science fiction readers and writers has been embroiled in an escalating war of words over the genre’s political soul, catalysed by the nominations for this year’s Hugo awards.

By escalating, he means some people on my side actually got involved for once and quit letting his side set the narrative unopposed. It was so much nicer when my side just immediately shut up out of fear of backlash, career sabotage, and threats of character assassination.

Allegations of bloc-voting arose

Yes, allegations of block voting, which means I asked my fans to vote. A quick search found about thirty other authors, fanzines, bloggers, and even publishing houses that did the same thing I did. Only I had the audacity of having the wrong kind of fans (and more of them!). Damien knows this, but he’s simply obfuscating the issue to get in some more snide insinuations.

He’s leaving out the allegations against me of fraud, misogyny, racism, homophobia, wife beating, and threatening puppy murder… No. I’m not making any of those up, but when dealing with Social Justice Warriors you will quickly discover that they will say anything to sabotage their ideological opponents. Proving that was sort of the whole point of my nefarious campaign. They certainly rose to the occasion.

as a slate of little-known writers appeared among the nominees,

That’s right. Little known writers. Since I’m the unnamed guy who put together this evil voting plot and is up for best novel, let’s take a look at how little known I am.

My 11th novel comes out this summer (Don’t worry, I’ve got 13 more under contract). I’m a New York Times, Wall Street Journal, and bunch of other lists bestseller, and the most accurate bestseller list of all is Nielsen Bookscan where I’ve been as high as #5 and stayed on for 20 straight weeks. On any given day I’m usually in the top 50 fantasy authors on Amazon and that’s without anything new out (highest I’ve been is #3 after Martin and Gaiman). I’m published in 7 languages. I do even better in audiobook, where I’m one of the bestselling and best reviewed authors on all of Audible, and I’ve been nominated for 3 Audies and won 2 of them. (those are pro juried, so sadly no allegations of ballot stuffing there).

According to the Guardian’s own stats about how much authors actually get paid, I’m way above the cutoff for the top 1%. But to be fair to Damien’s inability to actually know stuff, I’ve only been professionally published since 2009. The fact that I’ve only been doing this for 5 years kind of sucks for my detractors, since so many of them have been doing this far longer yet are much less successful. That has to gnaw at them.

But little-known. Got it!

after a concerted campaign by a small group of writers to get the books on the ballot.

By concentrated campaign, he means a couple of blog posts, a poorly drawn cartoon, and a video of sad puppies. No, I kid you not. My spokesman was Wendell the Manatee. Unlike Damian, I’ll actually post links to the topic, here is where I go into it in detail: https://monsterhunternation.com/2014/04/24/an-explanation-about-the-hugo-awards-controversy/ The whole thing and the reasons for it were out there in the open the entire time I was doing it.

Behold the architect of your doom.
Behold the architect of your doom.

A startling conspiracy theory was at the heart of the campaign. It alleged that a powerful clique of liberal writers and editors had taken control of science fiction, and worse, were politicising a genre that should exist purely for entertainment. They were filling the genre with heavy-handed “message fiction” and excluding conservatively minded writers. So conservatively-minded fans should vote for those writers to redress the imbalance.

That’s sort of related to what I said, as rewritten by somebody with a paint huffing addiction… I do like how Damien stated it all super nefarious like that though. But strangely he didn’t link to the posts where I talked about the demonstrated bias against non-leftists, or the posts about how the heavy handed message fic was driving away readers and causing the market to shrink? I’m sensing a trend. I wonder why Damien never seems to link to what his opponents actually say, when it is so much easier to make up really dumb straw man versions instead?

I wouldn’t call any of this startling though. I pointed out that the awards were biased, and if any openly conservative author got on the awards ballot they would be attacked and sabotaged. I was called a liar. So I got some conservative authors on the ballot and they did exactly what I said they would. (they were even shriller than expected, and major professionals jumped into the witch hunt, so for that, I sincerely thank them for being so predictable).

Point proven. Hilarity ensued.

Of course there is a certain irony in forming a political clique and launching an overt pol1itical campaign to de-politicise sci-fi– although registering the irony requires more self-awareness than these authors can seem to muster.

I like how he restates my publicly proclaimed goals to be something they weren’t so he can say I’m dumb for not achieving them.

The goal was exposing people like you, Damien, and you can try to say I failed, but poor, depressed little British man, my campaign consisting of manatees, big eyed puppies, and cartoon moose rocked your little world so badly that you’ve repeatedly talked about it in your national newspaper column now. So, I’m very aware of the irony, and it is so very delicious.

This dastardly clique was my fans. If your crowd hadn’t been such obnoxious, pretentious, bossy assholes on Facebook, Twitter, and blog comments, constantly bitching at us, explaining how conservatives and libertarians can’t ever be *real* writers, and calling anybody who disagreed with you racist/misogynist/homophobic without any actual evidence continually for the last five years, then getting a bunch of fans to pony up $40 to vote wouldn’t have been so darned easy.

And that irony is only made stronger when 2014 has proved to be a pivotal year in liberating science fiction from its own innate political biases.

Yes. The publishing industry—which is mostly based in Manhattan—is politically biased. For once we agree!

For decades, science fiction’s major awards were given, year after year, to white male authors.

That’s fantastic… Except when Damien says decades, he’s not talking about any of the recent ones. There have been blog posts (written by reasonable moderate types who really don’t like me or my campaign either) pointing out that women have won about a third to half of the awards over the last forty years, so once again, Damien is just a liar.

Women writers have asserted a growing presence in the genre, leading this year lead to a strong presence in all of the genre’s major awards.

Great. Despite the narrative about me to the contrary, I like female authors. I support female authors. I support authors from any group you can think of as long as they tell a good story and they’re not complete douchebags, so I guess you could say that I just support authors in general. I’m all in favor of anybody from any group being able to write what they want, more power to them.

So if we want true equality among writers how about we give awards based on quality rather than what box the author checks on an EEOC form?

Oh, but wait. I forgot. I like to judge people by the content of their character rather than the color of their skin. That’s racist now. I also like to judge a book based upon whether I like it or not, rather than ranking the nominees based upon the acceptability of their political outlooks or which ones best assuage my warm-beige guilt.

(speaking of irony, when the announcements were made and I immediately started getting character assassinated for being a hater of women, homosexuals, sunshine, and goodness with zero evidence, the book of the week I was promoting on this blog was written by a non-white immigrant woman and had a gay hero, but hey, narrative).

Women and non-white writers swept the board at the Nebula awards, winning every major category.

Normally, if there is a bunch of gloating and back slapping about how one particular group was totally shut out of something, we’d consider that bigotry. However I tend to forget that to a libprog diversity is literally only skin deep, while diversity of thought is evil and must be crushed. The same people crowing about this year’s diversity were happy to attack nominees last year for their religious beliefs, because that’s the wrong kind of diversity. They routinely attack non-whites and women if they aren’t of the correct political persuasion.

Speaking of gloating, Twitter after the Nebulas was interesting. If you take the tweets of the Social Justice Warrior crowd, Ctrl H, find and replace White Male with Jew, they totally sound like snippets of Heinrich Himmler speeches. It is hilarious until the nausea sets in.

High profile crowd-funded publishing projects such as Women Destroy Science Fiction are proving the commercial potential of a more diverse genre.

Not to bash this particular anthology, because I know nothing about it, but this super example of commercial potential raised $53,136. Good for them. But to illustrate just how profoundly disconnected Damien is from reality, keeping in mind that I’m a “little-known” author, my Kickstarter for a role playing game based upon one of my series raised $80,681, and my Kickstarter for merchandise related to my novels raised $101,396.

So I wouldn’t recommend taking business advice about commercial viability from a lying euro-weenie-socialist who has probably never held a real job. Now fetch my latte, Damien!

It is fair to say that SF is coming to terms with its historic gender and racial biases.

From a genre that really came to be in the 1930s to the 1950s there may have been bigotry? This is my shocked face. Well, good thing you guys are ready to attack people now for the sins of those that came before, because they share similar plumbing, DNA, or sexual orientation.

But not without some resistance from reactionaries within the genre.

They really need a boogieman, don’t they? Isn’t it interesting about how my campaign to demonstrate that there was bias and sabotage in the awards system, is immediately changed by the biased to be all pro-racism in order to sabotage it?

As Samuel Delany noted, at a time when he numbered among the very few black writers in the field, prejudice within science fiction would “likely remain a slight force – until, say, black writers start to number 13, 15, 20% of the total.” Author NK Jemisin employed Delany’s quote in her own Guest of Honour speech at WisCon. Her incendiary argument to fight against bigotry comes at a the time when she and other writers of colour including Aliette de Bodard, Sofia Samatar and Nalo Hopkinson command a higher profile in the genre than ever before. And the resistance Delany predicted has come true.

Does that mean that since I’m the only non-white author up for best novel, I have your vote, Damien?

It is no coincidence that, just as it outgrows its limiting cultural biases, science fiction should also face protests from some members of the predominantly white male audience who believed it to be their rightful domain.

That doesn’t even make sense. So, I’m not a white guy, but I hatched this elaborate plot to keep sci-fi white… even though us right wingers are capitalists who want to sell books to everybody. Sure, I’m super excited for my Chinese translations to come out this year, but that must be because of the billion white men who live there.

Since Damien brought up irony, here’s some for you. My audience is diverse. That’s what happens when you are popular and actually sell books. Look at the picture of the Diversity panel at the Nebulas. It is a bunch of old white people fretting about their white guilt. It is so white and old it looks like a Klan rally compared to my average book signing. My fans are the rainbow fucking coalition compared to that picture.

You know an organization that is actually diverse? The US military, #1 book in Baghdad and Baghram, baby.

But as we’ve already repeatedly seen demonstrated, it doesn’t matter that my fans are all over the board, young and old, straight and gay, all sorts of different ethnic and cultural backgrounds, and even some liberals (though by that I mean they’re actual well intentioned liberals, as opposed to the wannabe fascist control freaks who’ve taken over the term), but my fans don’t count, because they’re the wrong kind of fan. They are united in that they’d rather enjoy books than get snidely insulted by people like Damien for racist attitudes of their grandparents might have held.

What the conservative authors protesting the Hugo awards perceive as a liberal clique is simply science fiction outgrowing them, and their narrow conception of the genre’s worth.

That makes pretty much no sense whatsoever since over recent years sci-fi readership has been shrinking. It hasn’t been outgrowing anything other than Damien’s dignity.

Why has our market been shrinking? Well, it can’t be because people don’t like sci-fi and fantasy, because they love throwing lots of money at it in movies, TV, and games.

The opinion that I’ve long held, and which helped inspire my dastardly campaign of evil to begin with, was that sci-fi readers were leaving our genre because they were getting tired of being preached at with liberal cause of the day message fiction. They were bored with dying polar bears, murderous bigoted Christians, lectures about the dangers of capitalism, and thinly veiled Dick Cheneys as bad guys. You can really only slap half of the country upside the head and tell them their beliefs are stupid and backwards so many times before they quit buying your stuff. (but keep in mind, the left are supposed to be the inclusive ones).

How did I come to this belief? Because the people who’d been quitting told me so. I kept getting messages from readers with some variation of “I’d quit reading SFF because I was bored/tired/annoyed etc. but your stuff is fun!” over and over and over and then they’d provide me with large royalty checks. This got me to thinking that there might be something to this crazy idea of putting reader enjoyment ahead of placating the perpetually outraged Damiens of the world, where everything including Godzilla and Tomb Raider had to be boiled down to cisgender patriarchal neocolonial military-industrial privilege.

Of course, if those authors really wanted to de-politicise science fiction, they could easily help to do so – by admitting the genre’s historic bias and applauding its growth.

I don’t think anybody has ever said that bias hasn’t happened somewhere at some point, so thanks for that piece of straw. As for applauding its growth that’s the point, you moron. It isn’t growing. You guys are shrinking it. You might think you’re all about diversity and inclusiveness, but you’re not. You’re the opposite. You’ve drawn battle lines and then done everything possible to damage the careers of anybody who believes differently than you.

De-politicize? I was never in this to sway people like you, Damien. That’s impossible. We can’t de-politicize genre fiction any more than we can get leftists to stop banning university commencement speakers, boycotting businesses, or getting people fired for having differing opinions. Censorship and intimidation are simply in the nature of all statist bullies.

My mission was to convince the undecided. My side aren’t the ones trying to silence anyone, and all of the observers have watched your side try to stomp me (and fail miserably). Of course, your side will immediately cite somebody disagreeing (or failing to cheerlead sufficiently) with one of their ludicrous ideas as silencing, which will require them to retreat to their convention mandated racially segregated safe zones with a case of the vapors.

But in reality it isn’t the right trying to shut anybody up. Quite the contrary, Damien, we want you guys to keep talking so the world can see what censorship happy little fascists you are.

My successful campaign was met with a concentrated effort that would have made most normal authors apologize, run away, and hide (that’s what usually happens, but the fact that there isn’t anything you people can actually do to intimidate some of us must drive you nuts).

And by doing everything within their power to welcome new authors from diverse backgrounds, instead of agitating for protest votes to push them out.

And by diverse backgrounds, you mean as long as they are in complete political lockstep with your side?

The real prize for science fiction is not diversity for diversity’s sake

(although I happen to believe that would be prize enough).

A nugget of truth? Now we’re getting somewhere.

Since you’ve never actually created a single piece of fiction anybody has ever wanted to purchase, you are perfectly happy for sci-fi/fantasy to crash and burn, because then you can self-righteously brag about how at least it was mostly straight white males who died in the fire.

We live in a world of seven billion human beings, whose culture has not been reflected or rewarded in ‘the mainstream’. Science fiction

Wait… You mean the ENGLISH LANGUAGE award and books haven’t fully reflected genre fiction from the entire rest of the world? How dastardly.

– from cult novels that reach a few thousand readers,

I wouldn’t know what that is like.

to blockbuster movies and video games that dominate contemporary culture – has the potential to talk across every remaining boundary in our modern world. That makes it, in my opinion, potentially the most important cultural form of the 21st century. To claim that potential, it cannot afford to give way to the petulant protests of boys who do not like to share their toys

What a bunch of pretentious dribble from a sad little man who has never created anything of worth in his life.

So tune in tomorrow as I go through Damien’s pathetic threats, his complete lack of research skills, how my teaching women to carry guns is actually misogyny, and his pathetic attempt to channel Stalin.

Continued at:

Fisking the Guardian's Village Idiot, Part 2

 

Larry F. Correia, International Lord of Hate

So I got slandered in the Guardian last Friday. I would have responded sooner, but I don’t normally blog on weekends, and yesterday was the highly successful Book Bombing of John C. Wright’s latest book. We got him into the 200s overall, #2 on three different bestseller list, onto the Movers and Shakers list, and the top of Hot New Releases. Side note, it is kind of funny how I’m not a *real* writer, yet I somehow manage to routinely manipulate the sales rankings of the world’s biggest online book seller once a month for my friends. Go figure.

Anyways, my name showed up as the poster child for hate mongery and villainy in the Guardian (a liberal tabloid that passes for a major newspaper in Britain). I’ve been in a lot of American news things but this was a first for me, so on Friday afternoon I had to discuss with my fans on Facebook what I should put on my new business cards. We finally decided on Larry F. Correia, International Lord of Hate. Almost went with The Hatemaster because of the 70’s super villain vibe, but that looks too much like The Hamster when you’re reading fast.

So here is the article written by Damian Walter. It turns out that Tom Kratman knew him back when Asimov’s had a forum, and remembered him as a shrill little libprog, and that if Damian was at the Guardian a village somewhere in England was missing their idiot.

Somebody else told me that Damian is an “aspiring” author, and that he’d recently been given a grant by the British government to write a novel. I have no idea if this is true, and don’t care enough to look it up, but man, if it is… your government actually pays people to write novels? BWA HA HA HAW! Holy shit. As an actual novelist, that’s funny. And I thought my government was stupid.

Unlike Damian, I’m not a huge pussy, so I will include the link to the thing that I’m about to insult. http://www.theguardian.com/books/2014/apr/11/science-fiction-needs-to-reflect-queer-fluid-gender-identity

As usual, the article is in italics, my comments are in bold.

Science Fiction Needs to Reflect that the Future is Queer

You’re probably thinking, oh, not this shit again. Don’t worry. I’m not going to fisk the whole thing. I’m skipping the first few paragraphs. It is just more of the usual whiny ass demands for more message fic catering to Special Topic of the Day X. Tomorrow the X will be different, but the lectures will be exactly the same.

Though you should read it for tidbits like how male gamers play female characters in video games because they are curious about gender roles… Uh huh… And not because if you’re going to be staring at your character’s ass in Skyrim for 200 hours, it might as well be an attractive ass. The new Tomb Raider spent millions of dollars to perfect 3D boob jiggle for the next generation consoles because male gamers really want to hear Laura Croft’s feelings about the dangers of cismale patriarchy.

All of the other dumb shit he threw out there has been taken apart by other authors already:

Dave goes through why gender roles actually exist for things beyond hurting Damian’s delicate lilac scented feelings: http://madgeniusclub.com/2014/04/14/cow-manure-and-truth/ (and this one is especially good, because as he talks about punching cows. That back breaking, filthy, dangerous job is how I grew up. No wonder every other job in my life has seemed easy in comparison. I must have “privilege”)

Sarah explains how Damian having to cut his hair isn’t the worst thing to ever happen, while trying to steal my title of International Lord of Hate: http://accordingtohoyt.com/2014/04/13/i-need-a-secret-lair-and-minions-and-piranhas/

And while the libprogs are tring to poison the awards well against other conservative writers, Amanda explains the modern literati libprog’s concept of fairness: http://madgeniusclub.com/2014/04/15/so-much-for-fairness/

I just want to focus on the part where he comes after me.

When author and historian Alex Dally Macfarlane made a call earlier this year for a vision of post-binary gender in SF, her intelligent argument was met with predictably intractable ignorance from conservative sci-fi fans.

First off, it wasn’t intelligent at all. It was a petulant demand for authors to end the default of binary gender in their fiction, and how she never wanted to see the default of binary gender again. Please, go ahead and read it. Don’t take my word for it.

For writers and fans like Larry Correia, whose virulent attack on MacFarlane

Interesting… Notice how Damian doesn’t ever link to what I actually said and never uses any actual quotes from me. Here is my “virulent attack”. If you’ve not read it yet, read it for yourself and decide if it matches anything Damian goes on to accuse me of: https://monsterhunternation.com/2014/01/28/ending-binary-gender-in-fiction-or-how-to-murder-your-writing-career/

was excellently dissected by Jim C Hines, sex is a biological imperative and the idea of gender as a social construct is a damn liberal lie!

If Jim’s pathetic slap fight attempt at taking me down strikes you as “excellently dissected” I’d hate to live in your sad little Everybody Gets a Trophy world. It was more of an attempted playground hair pulling, so then I responded by metaphorically knocking his fucking teeth in. Here is an actual dissection of excellence, where I take Jim Hines out and kick him around like a soccer ball. https://monsterhunternation.com/2014/01/29/5687/

Unlike Damian, I don’t need to put words in people’s mouths. Libprogs want conservatives to be silent. Conservatives want libprogs to keep talking so the world can see just how full of shit they are. The links are all there. Judge for yourself.

There are so many distortions that I can’t even take this line by line, I’ve been forced to responding to fragments.

But Correia boils it down to a much simpler argument.

Not even close. None of what he goes on to say is even close to my argument, which was story first, message fic WAY later.

However accurate a queer future might be,

Uh… Wow… No. I never made that argument either. First, “however accurate a queer future might be” – Nope. Whatever sexuality floats your boat, it is no skin off my nose, but only about 2% of the population is gay, so I definitely don’t think it is accurate that we are going to have a queer future, or that mankind is going to ever end the default of binary gender.

That’s just wishful thinking on Damian’s part. Even if Earth went full Sparta in the future, most of us would still think that Damian is a pussy. As for the future, western nations have become more forgiving of homosexuality, true, but once again, while a libprog is quick to lecture us all on white privilege, their usual soft racism overlooks the rest of the world, where cultures that despise and persecute homosexuals are common. I would assume that those cultures have a future too. Demographically those cultures are making babies and growing while the permissive euro-socialists have quit having kids. Yes, I’m sure in the future the Space Caliphate is just going to love it some gay folks.

SF authors must continue to pander to the bigotry of conservative readers if they want to be “commercial”.

So that was my argument? Hmm… Interesting. Since Damon couldn’t be bothered to link to my actual article or use any quotes from me except for the ones he made up, let’s take a look at some of the things that I really said in the article:

“Now, before we continue I need to establish something about my personal writing philosophy. Science Fiction is SPECULATIVE FICTION. That means we can make up all sorts of crazy stuff and we can twist existing reality to do interesting new things in order to tell the story we want to tell. I’m not against having a story where there are sexes other than male and female or neuters or schmes or hirs or WTF ever or that they flip back and forth or shit… robot sex. Hell, I don’t know. Write whatever tells your story.

But the important thing there is STORY. Not the cause of the day. STORY.

Because readers buy STORIES they enjoy and when readers buy our stuff, authors GET PAID.”

Hmm… Write whatever tells your story… That sure sounds like me telling people to not write about gay people to satisfy conservative bigotry. Let’s see what other vile hate speech I spewed in those articles he was too chicken shit to link:

“Robert Heinlein had stories where technology allowed switching sex. Great. That’s actually a pretty normal sci-fi trope where in the future, there’s some tech that allows people to change shape/sex, whatever, and we’ve got grandmasters of sci-fi who have pulled off humans evolving into psychic space dolphins or beings of pure energy. If that fits into the story you want to tell and you want to explore that, awesome for you. I’ve read plenty of stories where that was part of that universe. If your space whales that live inside the sun have three sexes, awesome (that one was my novella push on Sad Puppies 1).”

Yeah. Wow. There I go again… Could it be that it is the libprog Social Justice Warriors who are bossing people around and trying to push conformist group think, and that they suffer from projection issues? Naw… That’s impossible. Let’s keep going, surely this simple idea that I boiled it all down to can be found in there somewhere!

You want a truth bomb? Readers hate being preached at. Period. Even when you agree with the message, if it is ham fisted and shoved in your face, it turns you off. Message fic for message fic’s sake makes for tedious reading. Yet, as this stuff has become more and more prevalent, sci-fi has become increasingly dull, and readership has shrank.

Nope. That can’t be it either. I warn writers not to bore the shit out of their audience for commercial reasons, but where’s the part where I tell writers not to write about gay folks?

Which is of course nonsense.

Yes, you fucking twatwaffle, it would be nonsense because you made it all up. When you can’t actually debate somebody libprogs go for Make Shit Up. And once you’ve hit that check box, they can go for Dismiss. For my new readers, here is a handy checklist for when you are arguing with morons like Damian. https://monsterhunternation.com/2013/09/20/the-internet-arguing-checklist/

Ironically, as this little ass clown was putting words in my mouth about how writers shouldn’t write about gay folks in order to assuage our homophobic red state audience, my book of the week was Sarah Hoyt’s novel with a gay narrator. My last Book Bomb was for a Michael Z. Williamson novel where the main character was a bisexual. You know why? Because the stories were entertaining and they were enjoyable books from talented authors.

The science fiction novels of Iain M Banks were bestsellers many times over, in part because the future they explored was openly queer.

In part? In fucking PART? By that logic Tolkien is a bestseller because some people really like books with trees in them.

Citizens of Banks’ future society the Culture have the ability to change their sex at will, and frequently shift between sexes and gender roles. Kim Stanley Robinson’s 2312 became both a bestseller and multiple award winner with a vision of the future that included fluid non-binary gender.

I like how he throws these out there like he’s proving me wrong or something… I suppose if I was the imaginary straw man he’d constructed I’d be all sorts of outraged or something.

And Nicola Griffith’s historical epic Hild, nominated for this year’s Nebula awards by members of the SFWA, is built around a bisexual protagonist.

Anybody who wants to be a writer really needs to separate “award winning” and “best selling” in their mind. They are not synonyms. Sometimes a book will be both. Usually they are not, and prestigious awards don’t pay shit. To most readers “award winning” is more of a synonym for “boring and preachy” because they’ve learned the hard way that over recent years awards are more likely to go to whatever preaches about Special Topic X than what is actually the enjoyable. This is a leading cause of Puppy Related Sadness.

And if members of the SFWA like it? Whoop. SFWA doesn’t represent the book buying public that actually pays the bills. The SJW crowd of SFWA will love whatever preaches about Special Topic of the Day X, and then they’ll write blog posts about how it was too bad more left handed transsexual Eskimos haven’t won awards, then they’ll lead a lynch mob against one of their fellow libprogs for slightly deviating from proper goodthink. SFWA is useless and their Social Justice contingent is tedious.

Now I want to raise a question, why is the Guardian brining me up now? If you look at the dates, I pissed off the left half of the internet clear back in January. That’s like ten million years in internet time. Since then the Social Justice Warrior crowd has moved on and been outraged by Jonathan Ross for possibly telling fat jokes in the future, then they got outraged at Neil Gaiman for his being surprised at how easily they get outraged, then they got outraged at Robert Silverburg and a couple dozen other prominent writers for saying that they didn’t want a soviet style editorial board to prosecute thought crime, then they got outraged at liberal Patrick Rothfuss for saying maybe they shouldn’t be so easily outraged all the time, then they got outraged at liberal Wil Wheaton for agreeing with Rothfuss, and I think I’m forgetting some other outrages in there too.

So there’s been plenty of outrage since their outrage over me saying that their message fic is annoying. (if only I could figure out a way to harness the friction energy of liberal hand wringing, I’d have a source of limitless free energy… then I’d then sell the patent for this device to Big Oil for a zillion dollars, because I’m a greedy capitalist 1%er)

So why now, months later, does a British newspaper feel the need to mention me and make up some shit that I never said? Hmmm… What could possibly be going on in, oh… let’s say, London… Could they have been counting up Hugo nominations maybe? Naw… Surely this is just a coincidence.

Well, Damian, as a libprog it is never too early for you to start poisoning the well. Though if you’re going to make it as a journalist maybe you shouldn’t be so ham fisted in your timing. You might inadvertently reveal that somebody leaked information to you early or something.

Personally I look forward to the next few months of nonstop character assassination about me by the Social Justice Warriors. It will be just like when I was nominated for the Campbell. If I can generate enough infamy in Britain, maybe I will be invited to go on Top Gear to drive the reasonably priced car. Then Jeremy Clarkson and I can go over to Piers Morgan’s house and toilet paper his trees.

 

EDIT: John C. Wright has chimed in, and holy moly, Damien gets whooped on. 🙂 http://www.scifiwright.com/2014/04/a-marvel-from-a-d-801702/

Why I Publish With Baen too

So my buddy Brad Torgersen, who recently signed with my publisher wrote this: http://bradrtorgersen.wordpress.com/2014/03/16/why-publish-with-baen/

I’m pretty sure Brad wrote that after a straw effigy of our publisher got burned for things she never actually said by a mob of butt hurt Social Justice Warriors. Basically Toni wrote a guest post on Sarah’s blog about her opinion on the recent butt hurt from the Anti-Puppy lobby, so of course the response was to make up a bunch of fabricated bullshit about “divisiveness” that Toni never actually said. And that crowd—the one which is “purging” sci-fi, chasing “badthink” from their ranks, all while threatening boycotts or actively character assassinating those who disagree—accusing somebody of being divisive is pretty hilarious.

But rather than take the time to Fisk the attention whores, I’ll be positive and chime in about my publisher too. I started with Baen in 2009. They picked up my original self-published novel and I’ve been with them ever since. During that time I’ve written ten books for them, and am currently under contract for, if I recall correctly, fifteen more. I’ve also written a bunch of short stories for them, and they’ve sent me all over the country for tours and events, so I’m fairly certain I’ve worked with just about everybody in the Baen office at one point or another.

Basically, I love my publishing house.

I know a lot of other writers, and I know somebody with just about every publishing house out there. Hang out with a bunch of writers long enough and you’ll get to hear them gripe about their publishers and their editors. And if they’re not a star or a golden boy with their publisher, then you’ll really get to hear them bitch and vent.  After five years of this stuff I’ve heard all sorts of horror stories, yet I’m unable to commiserate with them because luckily for me, my editors don’t suck, and I haven’t ever felt like my publisher is trying to screw me over.

Editing complaints are the best. I don’t know how many times I’ve heard stories, especially from the mid listers at one of the big houses about how they’ve turned in a book and waited 6 months, 9 months, or a YEAR to get any editorial feedback. Hell, at that point I’ve already written another novel and have forgotten the prior one. Then when the feedback comes back it is “Hey, throw away this half of the book and write something entirely different, oh, and I need that by Thursday.”

Sorry. Can’t commiserate with you, buddy. My editing advice, with three different Baen editors, has all been helpful, valuable, and useful. They don’t tell me how to do my job. They treat me like a professional. They just tell me when I’ve done something wrong and give me suggestions of how to make it better. I’ve had Toni circle a scene and write “Make this part not suck!” Yes, ma’am. And because we’re both professionals, I then go and make that scene not suck. I’ve had Jim Minz give me some great bits of advice to make parts better. Hell, one time he had me move up the appearance of a cupcake with a birthday candle in it to add some cognitive dissonance to a scene, and it make and okay scene awesome.

Baen editing is straight forward because their honest to goodness corporate goal is make the readers happy. If the writer is happy, then that will come through the work, and then the reader can by happy too. Yay! And that wasn’t just after I was successful enough that they could trust me, but they treated me with respect when I was a totally unproven newbie.

I’ve got friends with big houses where their relationship with their editor is so adversarial that they actually use their agent to contact their editor… holy shit. I can’t even imagine. But I don’t even have an agent. I don’t think I need one. Like I said, 10 books in 5 years, and enough under contract to assure my steady work for the next seven years, so apparently I’m doing okay without an agent. (I was a government contract accountant, so I wasn’t afraid of reading contracts) But I’ve got a sneaky feeling that if I was with certain other publishing houses, damned right I would have an agent to try and protect myself from their bullshit.

Let me give you an example of what doing business with Baen is like. When I first started out I had absolutely no idea what I was doing as far as business, and like I said, no agent to guide me (got rejected by pretty much all of them, which is funny because I’m betting they’d love to be getting 15% of this action now!) so when I signed my first contract, I gave over things like dramatic rights (movies and TV), audiobooks, and foreign rights to Baen. At that point in my career, I was just happy that anybody was reading my stuff at all, and I couldn’t imagine that people would want to listen to it or read it in other languages.

So then I got approached by my first movie producer. Wow. Didn’t see that coming. Uh oh, my contract turned all that over to my publishing house… The contract doesn’t specify percentage details for that kind of thing. Now, at this point many publishers would have just screwed me over. Nope. One phone call to Toni, she sticks Baen’s Hollywood agent onto it, we talk, and boom, no problem. I’m then getting an extremely large percent of any of that sort of thing. For the last three years I’ve been collecting option money.

Foreign rights? I believe I’m now in 7 languages with more in the works. I didn’t do anything to arrange that. Baen did. And my percentage that I’m getting for it is extremely fair. Audio? I’m doing awesome (seriously, if I could do in books what I do in audio I’d be on top). Also something they arranged. If I’d kept those rights for myself and an agent had tried to sell them for me, they’d be getting 15% of everything and they might not have gotten me into as many markets. All of this ancillary money for MHI is something that they could have hosed me on, but they didn’t, because Toni is an honest businesswoman.

You’d think this stuff would be a no brainer, and you’d run a business like a business. Keep your suppliers happy and keep your customers happy, that’s pretty basic right? Not in this industry. Oh heck no. There’s a reason most successful industries hire us heartless conservatives to run companies, but publishing is part of the entertainment industry, which means it can get goofy.

Meanwhile, while I’m hearing horror stories of other editors being a bunch of PC douchebags to their authors and being jerks to them over politics, Baen is happily publishing the likes of me, Tom Kratman, Mike Williamson, and Sarah Hoyt, while simultaneously publishing Eric Flint, Misty Lackey, Sharon Lee, Steve Miller, and Stoney Compton. If you’re unaware, that is pretty much the entire political spectrum and then some, but because Baen is the only place to not actively muzzle people like me, Tom, Sarah, and Mike, then obviously we’re that Evil Right Wing Place. But right wing, left wing, republican or democrat, libertarian to communist, it doesn’t matter what an author is. Toni just wants our readers to be happy and keep buying books.

When I was writing Grimnoir, and I had the FDR vs. Francis bits, I asked Toni if she thought that was a good idea or if I was pushing it too far, having a beloved democrat icon be the total asshole he was in real life. Her basic response? I don’t care if my authors get political as long as it is entertaining, and if it is something they are honestly passionate about and that comes through, then it’ll make the readers happy.

Boom. Done. Those made for some great scenes by the way. And I’m still getting hate mail about how FDR rounding up a hundred thousand people to throw them in prison camps is just ripping off X-Men… Thanks American education system!

Meanwhile, I know a bunch of authors who have been actively silenced by their editors (or worse, openly sabotaged) because their writing (or in some cases, their personal beliefs) go against the accepted groupthink of the Manhattan party set. I know of authors being hosed for their beliefs, mocked, shunned, attacked, maligned, you name it, until most of the ones who fall anywhere on the right half of the spectrum just keep their heads down. But the proper goodthinking side of the industry has its head so far up its own ass that it doesn’t even recognize that it is biased. They are simply doing what is proper. Heck, half the time when somebody like me mentions somebody like this the SJW crowd shows up demanding the names of these authors. Yeah, I can’t imagine why I shouldn’t just reveal the identity an author who has a problem with their vindictive, petty, spiteful editor so it can damage their career. Yes. They are demanding that we “out” people. That side isn’t super good at irony.

So you can see why I think it is funny that Toni, who’ll publish just about anything as long as it is entertaining, is labeled as “divisive” for not sucking up to the perpetually butt hurt crowd. Recently I discovered sci-fi author John C. Wright, who is openly staunch Catholic and a fantastic deep thinking political blogger, and I was absolutely stunned to discover he writes for Tor. Go John! All I know is that he must sell a freaking ton of books. 🙂

I’ve worked with just about everybody in the Baen offices. They aren’t a big operation. I think we’re like the 4th biggest publisher of sci-fi and fantasy, but most importantly, we’re headquartered somewhere OTHER THAN MANHATTAN. Those of you who’ve dealt with New York in your careers know that it is a very special place with a very special class of people who live in the city who think they are the absolute center of the universe. Most of America isn’t Manhattan. Hell, most of New York City isn’t like that. The last signing event I did in New York I had a ton of NYPD (all of the ones who actually know how to shoot!) show up, and the running joke was that they were only allowed across the bridge through the servant’s entrance.  Baen realizes that most of our target audience isn’t Ted Mosby.

Baen’s employees rock. They are always helpful, whether it is publicity stuff, or writing stuff, or tour things. On that note, our marketing director, Corinda, is a total badass who gets things done. Everybody in the office is on the ball. If I’ve got a question, they’ll get me an answer. If I need something taken care of, they’ll take care of it. Marla, Laura, Tony, Hank, Grey, all awesome (and I’m probably forgetting somebody, and I’ll kick myself later).

Then you’ve got the Baen fans. Brad mentioned this in his post. I think we’re about the only publisher with fans who are loyal to the entire brand as opposed to just individual authors. They loved Jim Baen for the work he did and the stuff he put out, and Toni has picked up the mantle and ran with it since he passed on. Baen fans are hard core. They know that if Baen put it out then it is going to be first and foremost, fun. Back when eBooks started, Jim Baen was a pioneer. When other publishers were charging hard cover prices and putting annoying DRM software on their books, Jim decided to be fair and not treat all his customers like thieves and pirates.

Brad mentioned the size of the advances. Yep, Baen advances for new authors aren’t that big. Toni takes the long view. She is taking a risk on a new author, so it is way easier for a book to become profitable with that smaller risk than a big one. On the bright side you are spared the massive whine fests like that recent blog post that went around with the chick who got a $200,000 advance for her first book that then sold a pathetic 8,000 copies. Holy shit. The publisher just took a massive loss. Then after several years of moping around and, I’m not making this up, forgetting how to write in the first person, some dumb ass gave her a $30,000 advance for another book.

Personally, my first few books got a smaller advance, and now that I’ve proven myself and have a solid fan baseI get a pretty good advance. But it doesn’t really matter since every single one of my books has earned out during the first royalty period so this hasn’t been an issue for me.

I’ve got friends who’ve gotten the big advances for their first book. Hey, no pressure, except if this book doesn’t blow up huge and you’re not the next Robert Jordan, you are now considered a total loser and your publishing house will hate you… Even though you as the author have zero control over how much that publishing house is going to push your work, advertise or promote you. And we’ve seen repeatedly that most of this industry can’t make a business decision for shit. Hey, we have this first time author’s book, and it sold pretty respectably, but since we threw a 50k advance at him, he’s a total financial loser. Oh well.

I know of one publishing house that gave a first timer a big advance, and she sold an extremely respectable 40,000 copies of her first book (the average midlist novel in America only sells a measly 15k) so she should be good right? Only they printed 200,000 copies. So she was a “loser”. Wow. Holy shit, publishing industry. Speaking as a retired auditor, somebody should get fired for that, but it sure as hell isn’t the author.

Is my publishing house perfect? Nope. It is an organization made up of human beings. Duh. However when you go to a convention and you’re listening to a bunch of authors who’ve had a few too many drinks whine about how much their publishers suck and how the publishing industry is screwing people over, you’ll begin to notice a theme of how the industry is such and such way “except for Baen”.

Fisking the HuffPo because JK Rowling is nice and I’m not

So a Huffington Post writer wants JK Rowling to stop writing books, apparently like most people who don’t understand how math or economics work, they think that if somebody else made a dollar, they lost one. Or if somebody else got pie, then there is no pie for them. Apparently this stupidity isn’t limited to just whining about economics anymore.

Read this first. Read it and gawk at the lameness.

http://www.huffingtonpost.co.uk/lynn-shepherd/jk-rowling-should-stop-writing_b_4829648.html?utm_hp_ref=uk

Somebody posted this to my Facebook page, wanting my honest opinion as a relatively successful author who is more into the nuts and bolts of business rather than mystical muses and other assorted writerly bullshit. I can’t take every request that comes along because I’m kind of busy writing stuff that gets me paid, but this one needs to get clubbed before any other aspiring writers buy into this line of defeatist thinking. Some ideas just deserve to be mocked.

The sorting hat said I sounded angry.
The sorting hat said I sounded angry.

As usual, the person being fisked is in italics. My comments are in bold.

If JK Rowling Cares About Writing, She Should Stop Doing It

When I told a friend the title of this piece she looked at me in horror and said, “You can’t say that, everyone will just put it down to sour grapes!”

After reading this, I just put it down to willful ignorance.  

And she does, of course, have a point. No struggling but relatively ambitious writer can possibly be anything other than envious. You’d be scarcely human otherwise.

Not really. I’m willing to bet that most of us who went from aspiring nobody to successful author aren’t human then. Back then when I looked at the writers at the top of the heap, I wasn’t jealous or angry at their selling more books, instead I tried to figure out why they were successful so that I could learn from them.

But this particular piece isn’t about that.

Oh, thank goodness. I was really looking forward to having a liberal lecture me on the value of envy and wanting to drag the more successful down to their level (of course, I don’t know if Lynn Shepherd is a prog, but she writes for HuffPo and is whining about somebody having more money than her, and wrote Occupy Rowling Street, so I’m going to go out on a limb and make an educated guess she leans that way).   

I didn’t much mind Rowling when she was Pottering about. I’ve never read a word (or seen a minute) so I can’t comment on whether the books were good, bad or indifferent. I did think it a shame that adults were reading them (rather than just reading them to their children, which is another thing altogether), mainly because there’s so many other books out there that are surely more stimulating for grown-up minds.

Wait… So Lynn never read Rowling’s work, but she had already decided that Rowling wasn’t a *real* writer. Now where have we heard that before? (hint, all my regular readers just groaned at Lynn’s pretentious judgmental bullshit)

First off, who the hell are you to decide that somebody else is enjoying themselves wrong? Get off your high horse, lady. You’ve got your opinion, and apparently a hundred million people disagree with you and threw large piles of money at JK Rowling. To paraphrase Dr. Henry Jones Senior perhaps you goose stepping morons should spend more time writing books than judging them.

Second, despite the criticisms from the self-righteous literati, Rowling has a very solid skill set. She wrote books that appealed to one demographic which then spread from there because they appealed to eternal human notions like friendship, heroism, sacrifice, and courage. They aren’t dreary pretentious award winning twaddle, so shockingly enough, lots and lots of people liked them.

But, then again, any reading is better than no reading, right?

Not if the literati get their way. They won’t be happy as long as anybody reads “unapproved” books for fun, or genre fiction dies entirely.

Let’s put it this way, JK Rowling did more to get millions of young people to become readers than every English professor in the world. The only reason you have a market to sell to at all is because of writers like her.

But The Casual Vacancy changed all that.

It wasn’t just that the hype was drearily excessive, or that (by all accounts) the novel was no masterpiece and yet sold by the hundredweight, it was the way it crowded out everything else, however good, however worthwhile.

This is such bullshit, and I can explain why on a very, extremely personal level.

I do better in audiobook than I do in print. It is because I write in a very cinematic style that translates really well to narration. My Grimnoir Chronicles trilogy had been doing amazing. The first two books had won the Audie two years running. I’d done really well, but I’ve never reached #1. As a writer, we love big milestones like that. I really wanted that #1 spot, because hey, bragging rights.

Then when I was on book tour last year for Warbound, the 3rd Grimnoir novel, I found out that I’d reached the #2 bestseller spot, but I’d been beaten by some dude I’d never heard of. So when I got to that day’s signing I asked the clerk where I could find this “Robert Galbraith” person. “Oh! You mean the new JK Rowling!” and she took me to this GIGANTIC display of books. (my display of books disappeared into its shadow, and Barnes and Noble likes me!)

Well, that certainly explained my coming in second. JK Rowling’s pen name had gotten revealed right when both of our books came out. My reaction? GOOD FOR HER. Because I’m not a whiny little statist, I patted myself on the back for even coming close to beating the MVP with all the Superbowl rings and then got on with writing my next book. And then I spent the rest of the book tour having fun and telling fans in my best melodramatic Voldemort “Next time victory will be mine. CURSE YOU, HARRY POTTER! CURSE YOU!”   

But here’s the kicker. I didn’t start out at that level. Warbound was my 9th novel and came out after six long, hard years of self-promotion, effort, and continual improvement. A few years before I was ecstatic when I even got on any list at all. I geeked out last year when my latest came out and I got as high as the #3 fantasy author on all of Amazon, losing only to Martin and Gaiman, but it was a far happier and more memorable moment years before when my name actually showed up for the first time in mid-nineties of the top 100, simply for the realization that I can do this!

News flash aspiring authors, writing is a job, and it is a challenging one. It is like any other career field, and just like them there are some overnight success stories, but most people who get to the top have only done so after a long hard slog of continually getting better at what they do. Depending on your genre, it isn’t Steven King, or George Martin, or John Grisham, or Laurel Hamilton, or Stephanie Myers holding you back, IT IS YOU.

That book sucked the oxygen from the entire publishing and reading atmosphere. And I chose that analogy quite deliberately,

Then you chose your analogy quite deliberately in a manner that makes you sound like a total loser. What complete and utter defeatist garbage. If you are that thin skinned you will have an extremely difficult time.  

because I think that sort of monopoly can make it next to impossible for anything else to survive, let alone thrive.

That is simply a lie, just on the fact that there are a whole bunch of us thriving right now. Blaming JK Rowling for your lack of success if foolish. In fact, because Rowling did so much to bring new, younger readers into genre fiction you should THANK HER for giving you a bigger potential customer base.

I write NOTHING like JK Rowling, but many of my fans who are in their twenties now became readers because Harry Potter was their gateway drug. I have friends and acquaintances who write for the Harry Potter demographic, ranging in success from relative newbie to total badass, and I don’t think I’ve ever heard any of them bitch like this.  

There are plenty of authors who are thriving right now. I’m not making Tom Clancy lotto by any means, but I’m making a damn good living writing books. Only the top 1% of pro published authors make over 100k a year, but pretty much every one of us I know in that category has a few things in common, as in they write their asses off, they understand their target market, and they treat writing like it is a real proper professional job.

Publishing a book is hard enough at the best of times, especially in an industry already far too fixated with Big Names and Sure Things, but what can an ordinary author do, up against such a Golgomath?

You know, I really wanted to play in the NFL, but there were all of these Big Names and Sure Things who were better at things like running, tackling, throwing, catching, or just the game of football in general. If only all of the good athletes would have recused themselves, then us fat, slow, uncoordinated types would have a chance to play in the big time! (sure, nobody would ever watch football again, but that’s besides the point!)

And then there was the whole Cuckoo’s Calling saga. I know she used a pseudonym, and no doubt strenuous efforts were indeed made to conceal her identity, but there is no spell strong enough to keep that concealed for long. Her boy hero may be able to resort to an invisibility cloak, but in the real world, they just don’t exist.

Hey, if anybody should be bitching, it is me. If only they would have kept that secret for one more week, I could put #1 Best Seller on my resume and then rest on my laurels for the rest of my life. 🙂

With a secret as sensational as that, it was only a matter of time until the inevitable happened, and then, of course, this apparently well-written and well-received crime novel which seems to have sold no more than 1,500 copies under its own steam, suddenly went stratospheric.

Duh… Think about it. Robert Galbraith had yet to distinguish himself from the pack of 100,000 other writers just like him. JK Rowling was already an international brand name. She has literally tens of millions of faithful readers just waiting to throw money at her. So when Galbraith turns out to be Rowling, and those fans show up with cash in hand, the results shouldn’t be a shocker.

So maybe instead of getting mad at the superstar who tried to go incognito, specifically to protect your delicate feelings, what you should do is write some really good books and build up a super loyal fan base. That way when you write something they will all purchase it. Crazy, I know.

And as with The Casual Vacancy, so with this. The book dominated crime lists, and crime reviews in newspapers, and crime sections in bookshops, making it even more difficult than it already was for other books – just as well-written, and just as well-received – to get a look in.

Damn you capitalism! The system that allows us to actually get paid for telling imaginary stories is flawed! WHAAAAAA!

Cry me a river. I’ve had two major releases in a row where I got to go head to head against a new season of Game of Thrones on HBO, and one year it was new GoT AND a new season of True Blood. That’s loads of fun when you are a fantasy novelist and you look at the Nielsen Bookscan numbers, and your new book is the bestselling book you’ve ever had, but 18 of the top 20 spots are being taken up by various Game of Thrones and True Blood tie ins. That can be frustrating, and if I was a HuffPo contributor I’d probably go water my crying pillow (it smells of lilacs and shame) but as a devout capitalist I look at those stats and think to myself “man, I really need a TV show!”

Rowling has no need of either the shelf space or the column inches, but other writers desperately do.

What crap.  I bet you think she also doesn’t NEED a car that goes fast, a business that makes a profit, a soda over 16 ounces, or a gun that holds more than seven rounds. What is it with you people and the NEED to tell everybody else what they NEED.

First off, Rowling doesn’t decide how much shelf space she gets, bookstores do, and the reason she gets her own shelf and you don’t is because customers actually come in and want to purchase her books. Even if Rowling’s books were to be discontinued tomorrow, you still wouldn’t get her shelf space, because the stores would switch it to something else that actually sells.

And what about the internet? What about Amazon and eBooks? There isn’t even any shelf space there for Rowling to be kicking you out of, so what the hell is your excuse now? Electrons that touched her books won’t touch yours?

And now there’s going to be a sequel, and you can bet the same thing is going to happen all over again.

And I say good for Rowling and better for her hardcore fans.

So this is my plea to JK Rowling. Remember what it was like when The Cuckoo’s Calling had only sold a few boxes and think about those of us who are stuck there,

Oh, I’m sure she does. Once poor, never rich. If I recall correctly this woman went from living off of Ramen noodle to being a billionaire, and believe me, us folks that grew up dirt poor never forget.

because we can’t wave a wand and turn our books into overnight bestsellers merely by saying the magic word.

I hate to break this to you, Lynn, but her “overnight” bestsellers took a lot of time and books worth of growing a dedicated fan base. I’ve had oblivious people ask me about my “overnight” success, which is ironic since overnight sure felt a lot more like 2 years of trying to get published followed by 5 years of effort while still working my day job, to me.

By all means keep writing for kids, or for your personal pleasure – I would never deny anyone that – but when it comes to the adult market you’ve had your turn.

Oh fuck off.

That’s mighty white of you, Lynn, to ALLOW one of the most successful writers in all of recorded human history to keep writing on the side. You’d like totally never DENY somebody that, except after reading your petty screed we’re all pretty sure if you had the power to do so you would.

Enjoy your vast fortune and the good you’re doing with it, luxuriate in the love of your legions of fans, and good luck to you on both counts. But it’s time to give other writers, and other writing, room to breathe.

You want success, Lynn? THEN EARN IT.

If Rowling did what you wanted (which she won’t, because she doesn’t have to give a shit what some nobody from the HuffPo wants) it wouldn’t make a lick of difference to your career, because somebody else better than you would step into the void first. Your demand reads suspiciously like the South Park Underwear Gnomes plan for world domination.

  1.       Room to breathe.
  2.       ?
  3.       Profit!

Now it is time for a rant.

Okay, aspiring and new writers, nobody owes you shit. Deal with it. You are an entertainer. Nothing more. If you get really good at entertaining people they will pay you money for your work, so then you need to go find the people who will give you money for your work. If you want more fans, you better keep on improving. As the number of fans grows, you will make more money and sell more books. How you accomplish this is irrelevant, because no matter what, the burden of success is on you and you alone.

JK Rowling making a dollar does not take a dollar out of your pocket. That is loser talk. Quite the contrary, she has grown our market, and brought more readers into genre fiction, so she’s actually put dollars IN your pocket.  

Lynn here is bitching about somebody who is more successful than she is while wishing they’d step aside to make room for her, but there is some little self-published nobody out there right now crying because “if only I had a blog on the Huffington Post then I’d be successful too, so Lynn should step aside to make room for ME!” And for the self-published nobodies, that isn’t an insult, that is where I started too.

Apparently blogging on HuffPo, even though that puts your name in front of thousands of potential new readers, can’t save you (yeah, sorry self-published nobody, but we learned from last week’s Book Bomb of an author who’d been reviewed by the HuffPo that my blog sells more books than they do).

That’s not how business works, and I hate to break it to you artistic special snowflakes, writing is a business. You need to create your brand, expand your brand, and continually improve your brand.

Once in a great while somebody comes along and blows up huge and their first book makes a zillion dollars and gets a blockbuster movie franchise. Those writers are anomalies. Most of us who make a living at this just plug along, turning out another book or two a year, and after a few years we’ve got enough fans and work under contract to safely quit our day jobs, and then we just do the same thing, but more. We can throw a temper tantrum and demand they step aside, but the odds of you being the Next Big Thing are jack and shit, and jack just left town.

Your garage band can whine about Justin Bieber being a no talent hack and how it isn’t fair, but just because he goes away (hopefully soon because I have teenage daughters) doesn’t mean your little garage band is now going to be playing to sold out stadiums.

No matter where you are, there will always be somebody out there doing better than you, unless of course they are JK Rowling.