Mountain of Fire came out this week. This was written by my friend and MH: Fever co-author Jason Cordova.
This is set in John Ringo’s Black Tide Rising zombie apocalypse universe. Jason is an awesome writer who tells great stories, so check it out.
This new anthology of stories just came out from Raconteur Press, and it was edited by my talented daughter, Hinkley Correia. She’s gotten a lot of critical acclaim for her short fiction, and this is the first anthology where she was the editor.
Check it out.
Another one that needed archiving here on the blog… -Jack
(this was a response on the other social media page, to this viral thing where some Euro thinks Americans are crazy to think America is as diverse as different European countries)
The thing where Europeans don’t grasp how diverse America is makes me laugh.
But anyways I’ve been to England, France, Germany, Czechia, and Denmark. I’ve been to every US state except Hawaii, Alaska, Maine, and the Dakotas.
Other than speaking the same language (sorta) there is as much difference between San Francisco and Oklahoma City as there is between Prague and London. The difference between “the south” and everything else alone would blow your Euro mind. I say this with love as an adopted Alabaman.
Then even in that one region of America, the difference between the groups is a hoot. Cajun is in the south, but it is it’s own thing. That’s not even getting into the racial differences. Then you’ve got the rural vs. urban divide that exists everywhere. Tennessee is wildly different from Mississippi. Both of them look at Virginia like WTF, while most of Virginia points to the north and says don’t blame us. Then there’s Huntsville, where you can meet somebody who looks and sounds like a total redneck, but who does calculus in his head for fun.
America has got a couple hundred subcultures with deep philosophical divides between them, which follow geographical and historical lines a lot more than they follow state borders.
Then we’ve got the ethnic subcultures and their geographic enclaves in America. Something which we’ve had since the beginning which Europe is suddenly trying to deal with for the first time and not doing so hot. Hey, you smug Euro bastards who’ve been sneering at America’s crime rate from your–what up until recently have been–peaceful homogeneous oatmeal countries.
Anybody who thinks every part of America is the same, that tells me they haven’t gone very far off the freeway.
Big chunks of America are culturally Latin (and there’s big differences between being Mexican in Fresno and being Cuban in Miami), or culturally American black (and there’s big differences between ATL and LA) or culturally Scandinavian (and tell a Yooper that he’s the same as a Minneapolis liberal and you’re gonna get stabbed), or New Englanders (hell, within the Boston city limits there are more social divides than regular people can keep track of). Hell, I come from a place where you were either Portuguese, Mexican, or Okie. And the difference between those was the same as the difference between France and England, only in one valley.
Now I live in the Inner Mountain West, as in cowboy country (you know those lists of rodeo kids where the names are so cowboy they go viral? Those are literally my neighbors) which to me is normal, but to big chunks of America it is so different and alien that they think Yellowstone is realistic.
On that note, spare me the excuse about how us Americans all watch/listen/read the same entertainment, because A. only kinda. and B. you guys consume our entertainment products too. I got annoyed while I was in Europe trying to listen to European music in the rental car because most of your radio stations were playing boring American pop (which again, is subdivided by those geographic/cultural things I pointed out above, but is dominated by lame artificial LA crap mostly)
And we consume your entertainment products. That’s why I visited all those countries, to cater to the European subcultures who like my books. (don’t worry, most of the proper Europeans still hate my stuff!) 😀
But back to my current region, there are huge cultural differences between roughneck Wyoming and Mormon Utah. Same region. Hell, same town half the time, wildly different cultures. (and don’t get me started on the ProgMo liberal Mormons of the super urbanized Wasatch Front, because they’re all going to hell and the rest of us know it)
But, but, but you Americans all eat the same food! Yeah, the national chains. Which turns out, you guys have too. But again, get off the freeway a bit. Depending on the town you can get some really good Vietnamese/TexMex/Somali. Same way the good food in London is Thai or Indian, and the “traditional” British food I ate was a friggin’ war crime. Y’all need to treasure Gordon Ramsey for helping you fix your shit.
People say America is like 50 countries in a trench coat… eh… It is more like 200 countries bouncing on a trampoline. America is actually more like India with its clumped together mixture of hundreds of groups reclumped again under a few umbrellas. Some US states do have national pride/identities, but within those states there are subcultures who don’t, and others who are all in. (Texans and Floridians know exactly what I’m talking about).
Then one thing America and Europe have in common, all our sane normal people hate the big lefty cities which dominate us politically. So hundreds of subcultures, clumping under two distinct umbrellas. Us, and Those Meddlesome Fuckers. So culturally the people of rural Idaho have more in common with French farmers who are spraying cow shit on government offices than they do with the liberal Californians who now infest Boise.
That’s another cultural difference between America and Europe, we move around. A LOT. Europeans had centuries to clump into their chosen regions (or invade one, or get kicked out) so the like minded could be born and die in the same spot. Most of the American subcultures are like eh, fuck it, I’m gonna move a thousand miles to a very different place and work there instead. And we do that constantly, so the whole construct is always shifting.
Then geographically, we win. Period. We’ve got a bunch of stuff Europe doesn’t have, while having everything Europe has except for fjords maybe? I think. I’d have to check. Alaska might. Hell if I know.
Ultimately US states are crazy diverse, and the difference between states is nuts. The further you get away from the national chain shopping center right off the freeway off ramp, the more apparent this becomes. The homogeneous parts of America were the bits that we all agreed that we liked and adopted. Which ironically, I saw the exact same thing driving across Europe, as I bought Kinder Bueno in every single country. 😀
-Jack Wylder, here. Thought Larry’s comments on this needed to be preserved
Every now and then I see some pedantic weasel get all snooty how listening to audiobooks doesn’t count as reading. I just saw some dork acting smug and superior because “Reading is active. Listening is passive.”
Lol no. 😀 That is not how this works AT ALL.
Here is a peak behind the curtain of how this actually works. I’m one of those authors who’s style translates extremely well into audio. I do really good there. In fact one time one of the main execs at Audible needed to do a presentation about writing for audio, so he asked me in particular to help him come up with a list of tips and tricks. (and we’ve done episodes of WriterDojo about what I told him). So I’ve given a whole lot of thought to this topic, and I’ve learned from a lot of very smart people.
Eyes, ears (or fingers if you read braille) those are just the input device to feed story into your brain. There are different tricks we authors can do to make the story more interesting for either. Once the story is in your brain, if the story is good enough the reader/listener is going to go into a certain flow state we like to call “immersion.”
The whole active/passive thing is ridiculous, because when you are actively immersed in the story whatever input device you’re using becomes irrelevant, and you go into autopilot, and either way your brain is busy digesting that story.
You can “actively” read, but if you’re immersed, it’s automatic. In fact, while your brain is reading this line, your subconscious is already skipped ahead one line and is processing it too, and your brain is still processing the line above. (this is why profanity is 3x more powerful in written form than audio, because of the difference in the nature of the input device). On the eyeball side we’ve got visual tricks. On the audio side there is the added benefit of a narrator who can add emotion and emphasis.
But if you hook electrodes to someone’s brain who is in that active flow state where they are immersed in the world, and their imagination is processing and they’re creating visuals and are emotionally engaged, same parts of the brain are lighting up. And this is when you get pissed off when the doorbell rings and reminds you that the real world still exists.
The difference between absorbing your story from books/audio and TV is that the visualization component is being done for you.
Anybody who thinks you can’t read a book “passively” has never meandered their way through a boring read, nor if they think audio isn’t “active” has never been sucked into a good audiobook.
Getting people into that immersive state is my job. The reason I’m good at both audiobooks and regular books is that I’m a story teller first, writer second. Writer is just my preferred delivery method, and if I’d been born a thousand years ago I would’ve been the dude telling stories around the campfire at night.
The 5th book in the Saga of the Forgotten Warrior series, Graveyard of Demons, will be out in November. However, Baen offers what is called eARCs, which are electronic advanced reader copies. These are the early, not quite finished versions which usually go out to book reviewers, but Baen saw that some fans are eager to get the book early, so they make them available to the public.
https://www.baen.com/graveyard-of-demons-earc.html
The reviews so far are great. The final book in the series, Heart of the Mountain, will be out in February.