All posts by correia45

Who needs High School English when you can have Social Justice instead?

The following is the letter I sent to my local high school community council today. Here I have redacted all the names, and I don’t normally talk about my location online, but I did leave the school’s name because I want the locals to know what’s going on, and they know who everyone involved is. (to prevent confusion there are two Honors English teachers, the long time one who nobody has any complaints about, my older kids had her and loved her, and this newer one)

##

My son is in (redacted) Honors English class at Morgan High School (Utah). Recently her teaching methods have caused some controversy. As a professional writer I would like to address her curriculum—which appears to be far more about leftist indoctrination than English skills—and as a parent, the principal’s lackluster response to our voiced concerns.   

I became aware of this issue when I was approached by some other parents. They told me that the school’s response had been to “blow them off” as if they were too ignorant to understand what constituted effective English education. They asked if I would attend the parent’s meeting to add the perspective of someone who makes his living writing.

By way of introduction, I am a New York Times bestselling author of twenty-five novels, and three collections worth of short fiction. I’ve edited three anthologies. I’m published in multiple foreign languages, with several million copies in print, eBook, and audio. I have taught creative writing classes for dozens of events and for Weber State Continuing Education. I have been nominated for several prestigious literary awards and won a few of them.

That brief resume is to establish my credibility on this subject, but basically it boils down to the fact I’ve spent the better part of the last two decades learning how to write effectively, and more importantly, how readers process information. So I can say with absolute certainty that the methods Ms. (redacted) are using on our kids are awful. She isn’t just failing to teach them how to write, she’s teaching the antithesis of effective communication.

After I was approached by these parents, I asked my son about this class. To give you an idea how bad it is, (my son) told me that “it sucks”, he had learned absolutely nothing, but he was getting an A because he’s good at “telling the teacher whatever she wants to hear.” My son wasn’t learning any English skills at all, but rather how to play a political game.

I was appalled to hear that they would be spending the entire trimester on a single book, The Great Gatsby. Three months? I have nothing against The Great Gatsby, but to put this in perspective, it is only 47,000 words. My copy is 210 pages. The audio book is only 4 hours long. By novel standards it is extremely short. My smallest novel is more than double that, and my average is triple. Basically I’ve written longer books in less time than this class is being forced to analyze what’s basically a turgid novella.

It doesn’t matter how good a book is though, because tortuously analyzing any book for three months would make it awful.

You might be wondering, how in the world does an honors English class stretch out a tiny book for that long? Easy. You just talk about a bunch of contemporary political issues—which aren’t actually in the book—day after day, all from a biased leftist perspective.

You might think I am exaggerating for political effect. I’m not. My son was happy to show me some of his homework, and the assignments are simply absurd. Here’s an example.  

This is actually even more nefarious than it looks, because once you delve into each of those links, even the innocuous sounding ones are pushing a hard left perspective. Most of them are about how society is terrible somehow and you should feel bad for benefiting from it. None of these “lense” help the kids get better at writing or communicating. They are designed to squash dissent and force rigid conformity through public shaming.

What do I mean by that? It isn’t my story to tell, but one of the moms at the last parent’s meeting talked about how her daughter comes home in furious tears because she fails to live up to this teacher’s imposed ideal of feminism.

These “literary approaches” do not promote greater understanding of books. On the contrary they try to shoehorn in a bunch of political nonsense which isn’t in the actual work, and they fabricate messages the authors never intended. The kids aren’t learning to write. They are learning to “deconstruct” writing, which is totally backwards.

The number of readers in America is plummeting. People don’t read for fun like they used to, and why should that surprise us? Classes like this teach kids that reading should be a horrible, dreary slog, where you can’t just enjoy a work, you have to deconstruct it and look for all the secret symbolic meanings which are usually just a figment of some professors’ wishful thinking. Sometimes the curtains are just blue.

To demonstrate how nefarious this leftist propaganda masquerading as English education is, one of my son’s friends, (redacted), asked me to take a look at one of his homework assignments that (redacted) gave a zero. He believed his grade was politically motivated. After taking a look, I believe he’s absolutely correct.

The assignment was another of these deconstructionist nonsense things, where the student was expected to force a work into a proper leftist bucket based upon their feelings. They used a short Hemingway story, and (the student) looked at it through feminist lenses to explain why he felt the protagonist was a terrible person.

Professionally speaking, his sentence structure was clunky, and he couldn’t decide if he was going for colloquial voice or not, but it certainly wasn’t a zero. By the directions on the homework assignment, (the student) not only did it correctly, he also used one of the other encouraged lenses as well, by pointing out she was a vapid consumer with a pointless life, he accidentally used a Marxist deconstruction of the bourgeoise class. That’s nonsense, I know, but this whole thing is nonsense. The fact is this particular kid got zinged for not parroting the correct nonsense.

Meanwhile, my son just made up some crap about how the rain represented sadness and got an A. That’s great that he’s learning how to placate leftists, but I’d kind of like him to learn English in an English class.

None of this enables kids to write better. On the contrary, it creates mushy, indoctrinated, check box writing. Where rather than communicate ideas effectively and evocatively, they walk on eggshells, too afraid of violating some leftist shibboleth to actually come out and say what they mean. We see this in the real world every day, where any ideas which go against the prevailing cultural narrative are met with performative outrage.

That’s all I will say about the ineffectual nature of this politicized curriculum. The other parents have plenty of other examples to share, including male students being treated like garbage for being male, or kids getting up and walking out as they grew tired of the teacher’s tiresome use of “bitches”, or homework assignments being assigned late at night and expected to be turned in the next day (I believe the dismissive explanation for that last behavior was the unnecessary stress was supposed to prepare them for college, which is frankly asinine to anybody who has got a degree).

As for the school’s response, I’m unimpressed. I have now been to two meetings, one for parents, one community council, both of which are held at difficult times for anybody who works a normal job to attend, but even then there was a good-sized group at each.  I believe the first one had thirteen parents, and the one at 6:30 AM(!) today I saw many of the same faces.

Both meetings consisted of parents rattling off story after story about this one particular teacher, most of which hit the same consistent themes, and some fun new ones, like how she told the kids not to talk about her lessons with their parents. Gee whiz. I wonder why?

In the first meeting Principal (redacted) listened, and then tried to placate us by talking about the process of picking books and how some books are controversial. Here’s the thing. We don’t care about the intricacies of your bureaucracy or which novel you use. We care that the teacher then spends three months cramming social justice down their throats instead of learning about that novel. The book choice is almost irrelevant in that case. I bet (redacted) could vampire all the fun out of anything I wrote too!

However, that meeting did at least end with him promising to investigate.

Except then the written response to one parent’s officially filed complaint was dismissive and concentrated on the parents’ concerns which were brought up the least. There were a bunch of platitudes and academic speak that basically reads as, we just don’t see the big deal, sorry you parents are so worked up, but you don’t understand our brilliant procedures.

Fantastic. At this point I can see what the moms who first contacted me meant by “blown off”.

Then this morning’s community council meeting was interesting. Once again, parents voiced their concerns about this specific class, but were each allotted only two minutes to speak. Then the Principal spoke, and it was preposterous. He opened by reading us the dictionary definition of “discrimination” and then launched into a whole bunch of platitudes and circular logic, which was basically a thought terminating cliché about how the parents might be the real problem here, because by wanting English taught in our English classes instead of social justice, maybe we are enabling hate and genocide.

Yeah. He actually went there.

One of the moms is emailing me a recording of this so I can relisten to it, because it was so mushy it was hard to follow, but my initial reaction was anger. Nobody complained about “diversity”. There was no bigotry. In fact both meetings I’d been to the parents specifically said they had no issue with other points of view being respected, their issue was the biased, ham fisted, unfairness.

It is infuriating to see people do something horrible, and then hide behind the magic shield of “diversity” that excuses all failings. Even though this is a bunch of white folks in one of the whitest towns in America, lecturing the Azorean by way of North Africa, who grew up in one of the most impoverished and diverse places in the country, that because I want my kid to get educated rather than indoctrinated, I’m enabling genocide? I’ll be sure to tell my grandma the Polish Jew. How many rabbis do I need to get to tell you that excuse doesn’t make a lick of sense?

As far as I could parse, the excuse this morning was that she’s teaching “empathy” and everybody knows empathy is nice. Except that’s a big fat lie. First, it’s an English class, not an Empathy class. Second, why is empathy a one-way street, where only leftist approved views are the ones requiring all this understanding? And third, and most importantly, this nonsense doesn’t create empathy. It creates division and enmity. This stuff portrays a simplistic cartoon version of other human realities, filtered through the lens of liberal angst. Nobody appointed you guys Speaker For (insert minority group here).

This whole empathy schtick is tiresome. Oh no. The same political philosophy which runs most of publishing, Hollywood, the news media, academia, Big Tech, social media, the White House, and Congress, isn’t pervasive enough. Heaven forbid we don’t teach that exact same message our kids are force fed everywhere else in society in English class too.

He repeatedly brought up how teachers must be able to respond when students ask these hard questions about difficult topics. Great. Except I’ve yet to see any evidence the kids are the ones bringing this stuff up. Instead we are hearing our kids complain that she brings this stuff up constantly and beats them over the head with it. It certainly isn’t the kid’s questions that are writing up those homework assignments.

The really particularly galling part about all this is that in the name of “empathy” and “diversity” in order to stop genocide, they need to teach Marxist deconstruction… Marxism? The all-time reigning world champion of genocide? I know this is Social Justice English rather than Social Justice History but give me a break. In order to prevent genocide and truly understand The Great Gatsby it needs to be studied through the lens of the philosophy that gave us the Holodomor and the Killing Fields? Gulags and gas chambers?

Sure, as a writer I look through that sort of lens… When I’m writing the villains.

This kind of nefarious woke corruption of our academic institutions is nothing new. Most of us saw it when we went to college, but it has crept downstream since. What was 300-400 level university English deconstruction nonsense now gets crammed down their throats in high school. Which is why many kids going into college now no longer possess the basic composition skills we used to take for granted, because their high school classes were too busy searching for genderqueer Marxism instead. They can’t write coherently, but by golly they know Sam and Frodo were secret gay communists.

The best thing to come out of the last couple of years is that parents nationwide got to see just how horrid their schools had gotten. It was a wakeup call. Disgust at Critical Race Theory flipped the government of Virginia. The school board got recalled in San Francisco—the bluest big city in America—over this kind of thing. I keep seeing people thinking Utah is fine. Surely we don’t have that here. All is well in Zion!

It’s time for people to quit beating around the bush and be honest. Utah is “nice” in that as a culture we try to avoid contention, but in doing so we abdicate our responsibilities. Our tendency toward conflict avoidance might make us feel good about ourselves, but it is our kids who lose because of it. So I will spread the word about this to every MHS parent I can. If we need to escalate this through official channels and up the chain, great.

Because if we are forced to choose between our kids and your job security, the kids are going to win.

Sincerely,

Larry Correia

Get your autographed copies of Servants of War From Uncle Hugos

If you want any autographed copies of any of my latest books you can get them from Uncle Hugos –

http://www.unclehugo.com/prod/search.php?authorsearch=correia&title=&isbn=&publisher=&binding=&location=Both+Uncle+Hugo%27s+%2B+Uncle+Edgar%27s&status=Both+Already+Received+%2B+Not+Yet+Received&signed=Both+Signed+%2B+Unsigned&submit=SUBMIT

Uncle Hugos got burned down during the riots. They’ve kept operating from the owner’s house selling books online, and are actively working towards reopening in a new location.

It came from Facebook

Hey all- Jack Wylder here. Since he’s not currently banned, Larry is on Facebook right now. As usual, he drops some great content there that they will bury as fast as they can. There’s where I come in- my name is Jack Wylder, and I bring gold from the cesspit. As soon as Larry can tell you about this awesome Kickstarter that’s coming up, he’ll be able to say how he really feels (and get banned immediately) until then, here’s a snapshot.


This blue check (string of descriptive words redacted because I need to not get banned for a bit)…. person… provides a fine demonstration of how out of touch our elite urban betters are. They think they can just will things into existence, regardless of reality.

Which explains a whole lot about their policies if you think about it.  

The towing companies won’t help because they agree with the truckers. They are peers, and in related industries. Who do you side with? Your friends who pay your bills who you agree with? Or the sissy PM you hate, who has gone into hiding?
And guess what kind of guys own that heavy machinery he wants the government to confiscate? Probably the same exact kind of working class dude the elites sneer at.
Plus, why does he think all soldiers are trained on operating heavy equipment? There’s going to be some, but that’s a pretty specialized job.
And this (redacted) also probably doesn’t realize how hard to move a truck is, especially whenever the guy who left it there didn’t want it to be moved, nor does he realize the logistical challenges of just how many trucks are involved, especially if they leave thousands of them in a way designed to make it hard to get them out. You can’t just hook a chain to something heavy and drag it out without causing a giant mess.

And it’s not just any piece of heavy machinery that’ll do. Not that a blue check journalist would understand that there’s different tools for different jobs. But I’d love to see them give a track hoe to an average soldier who has never operated one before in downtown Ottawa because that video would be fucking hilarious.

This whole thing has been absolutely fascinating to watch. Well fucking done, Canada. Seriously, you majestic honking bad asses. Well done.

Most importantly to us Americans note the timing of this Canadian convoy protest, and a bunch of blue states and suddenly “pivoting” on Covid restrictions. (It’s fascinating how THE SCIENCE changes along with poll numbers). You can watch the narrative evolving in real time, as leftists forget everything they’ve screamed at us for the last year and NOW the science says to change direction. (and in a month they’ll pretend this was what they were in favor of all along and it was those nasty republicans who made your kids wear masks in school all day)

And it is all because they are terrified of Americans doing the same thing. Even one or two percent of America’s truckers doing this could shut down whatever city they wanted. Except our totalitarian wannabes aren’t as squishy as Justin Trudeau so it would probably turn into a massacre. The democrat run police departments which weren’t allowed to stop BLM or Antifa riots would certainly be allowed to shoot honking truckers. When they stop traffic that’s free speech, but if the deplorables do it, it’ll be insurrection.

Then stuff here would get really stupid. So I’m extra thankful for ballsy Canadians today.

Analyzing My Royalties

I’ve done this peek behind the business curtain thing a couple of times before because fans seem to enjoy it, hopefully it helps other writers, and it’s fun to delve into your royalties and see how your various books are shaking out against each other. I’ve talked about this on WriterDojo too in our business episodes.

Okay, first off a quick primer on how traditionally published authors get paid. First we sign a contract for a book, and part of that we are given an Advance Against Royalties. This is a payment up front to the author. The author doesn’t get any more money until after the advance “earns out”.

To make the math easy, say you sign a contract for a book, and are given a $10,000 advance (heh, good luck with that newbs! 😀 ) and for each book you sell you get a percentage of the cover price, to make this easy we will say you make $1 a book. The first 10,000 copies you sell, you won’t get anymore money because that’s earning out the advance. Then after that, for each book you sell you would get paid a royalty of $1. So if you sold 15,000 copies in the first royalty period, you’d get another $5k.

Most publishers pay royalties twice a year or quarterly, and there is a delay between when the book comes out, and when you start getting paid for it in order to give the book stores a chance to return what copies they don’t sell. This is called Remaindering, and what they keep is your Sell Through percentage.

So if a publisher does a big mega push of an author to launch a career and the bookstores get swindled into buying millions of copies, but only thousands sell, after desperately trying to get rid of them (i.e. the 70% off super discount hardcover bin) they return the rest to the publisher. Those are remaindered and the author will have a terrible sell through rate. (my rate is actually extremely good on most of my titles, thank goodness).

That means there’s a delay of when you turn the book in, to when it comes out, and then a full royalty period after that, before you may or may not get paid again. This is why advances matter.

After the delay, then if the book has earned out, you start getting royalties. Sadly many books never earn out. There just aren’t enough books sold, and that author never collects royalties. If that happens your career is usually toast with that publisher unless they’ve invested in you for some other reason.

This is the advantage of smaller advances. It’s easier to be a winner on their books, and you’re getting paid based on sales either way. However, if you get offered one of those rare mega huge advances, take that unicorn money and run!

My first advances were fairly small when I was a newb, but they’ve grown over time so that now they’re pretty dang good, but my publisher feels confident doing that because they’ve got a history of how I actually sell and I’ve got a track record. Even then I’ve managed to earn out almost every one of my Baen books in the first royalty period, which means I start collecting royalties the year after it comes out.

For me there’s usually the royalty spike of whatever the new hotness book is which most recently earned out. Sales tend to spike at first, and then taper off. The books that have tapered off from that spike, but which are still selling are actually how you make your living. Not the advances and spikes. The key to actually quitting your day job and making it as a full time author is all your old books which are still selling and earning royalties. This is called your Back List.

You can hope for a giant super hit book which will get made into a movie, but that doesn’t happen for 99.9% of us. You can hope for that, and its nice when it happens, but realistically most of us who do this for a living are able to do so because we consistently produce and have lots of old books that are still selling.

This is for my last royalty check I received in December. The one before that SUCKED because it was the one covering the opening period of Covid lockdowns, when most of the book stores in America were closed. Sure, there was still online, eBook, and audiobook sales, but if you are actually carried in stores that’s a big chunk of income which nut kicked all of us. This last statement was getting back closer to normal. Thank goodness.

I’m not going to cite any actual dollar values. I’m going to keep this vague as to overall amounts. I’ll just say that I’m not a mega super star with an HBO show. Those guys make millions. But I’m no scrub (unlike most of the bossy authors online who dispense writing/business commandments) I make very successful doctor/lawyer money, and have for about the last 8 years. My last royalty check would have bought our first fixer upper starter house outright (or paid for the current Yard Moose Mountain Driveway of Death).

The most recent new release on this statement was Destroyer of Worlds, which had a good sized advance but earned out immediately. That one book, by itself, was 31% of my total royalties for the period. That’s the new book spike I was telling you about. (not bad considering it came out in September 2020 and 2020 sucked ass).

Now here’s where it gets interesting. Whenever you release a new book in a continuing series, it also causes people to once again pay attention of the previous books in the series. Son of the Black Sword jumped a bit to come in at a whopping 12% and House of Assassins at 9%. So the Saga of the Forgotten Warrior series made up over half my royalties for that 6 month period at 51%(!).

Now that series is really interesting, because none of those book spike as high as something like a Monster Hunter novel. Much like the main character, Ashok Vadal, that series is a slow burn. Lower opening spike, much larger tail, overall slow but continual growth. I’m told this isn’t weird with epic fantasy series though, because so many fans have been burned by lazy unprofessional writers turning in great opening books and then never finishing, that buyers hold off until the series is finished, or it looks like it is likely to get finished.

Son of the Black Sword moved past Grimnoir two years back to become my #2 overall series. And it did that with 2 books against Grimnoir’s complete trilogy of 3.

Then there is my Monster Hunter series, which is the one that actually pays the bills. This one is always interesting to watch, because the backlist is large and remarkably consistent. Every single MHI book still sells well, and more importantly, every time I release a new one, I see a corresponding bump in all the earlier ones.

So this statement was a non-MHI period, but even then MH titles make up 33%. I already know when I get the royalty statement with Bloodlines on it, I’ll see a significant jump. MHI is the opposite of Forgotten Warrior, in that it gets a BIG spike for a new release, narrower tail. That’s because the hard core MHI fans tend to buy as soon as it comes out.

Now behold the power of backlist.

Monster Hunter International, which came out 12 years ago(!) is still 5% of my royalty income. It’s been a consistent seller for over a decade. Now, 5% doesn’t sound like a ton, but by itself its enough to buy a decent used car or pay several mortgage payments.

Monster Hunter Vendetta, 5%. Monster Hunter Alpha, 4%, Monster Hunter Legion, 2%. Monster Hunter Nemesis, 4%. Monster Hunter Siege, 4%. That stuff adds up. These numbers vary period to period, but if you’ve got a reliably continuing series with a good fan base, you can make several thousand bucks per book, every six months, for YEARS.

The bigger the back list, the more of these you have, the easier it is to meet your needs. That’s why authors need to be good AND prolific. New book in the series, causes all those old ones to refresh and get a bump.

Plus, there’s the MH spin off stuff, with the memoirs. Each of those is only at 1 or 2%, but keep in mind that’s my HALF. So if it was the full value they’d be in the same range as the others, though I’ve found that the overall spike on collaborative books isn’t as high as on my solo stuff. I suppose that’s just market hesitancy. Beats me. Monster Hunter Guardian is still pretty new, and it’s at 6%. Except again, that collaboration, so that’s just my percentage, not the overall total of sales.

Up next is my Grimnoir, which has now fallen to the #3 spot in all time sales as Forgotten Warrior surged ahead. Those are at 9% for the trilogy. Which sounds sad in comparison until you realize that the last of those 3 came out in August 2013! That’s almost 9 years since I’ve done anything in that universe. I’ve been collecting money off of work I did a decade ago. I’ve got another trilogy planned, and when that eventually starts I imagine it’ll cause another bump for Grimnoir.

4th this time are the two Target Rich Environment collections. TRE1 is at 1% and 2 is at 3%. Being short story collections, that’s pretty awesome actually. It’s enough to buy a nice sniper rifle. 🙂

Last on this royalty are the Dead Six novels with Mike Kupari, at 2% for the trilogy. Which again, ain’t bad when you realize that’s just my half, and the last book came out 6 years ago.

So there you go guys. New books are awesome, but backlist is how you pay the bills. When you’ve got a couple books in backlist, if you make a little money for each that’s nice, but you can’t live off it. But if you’re making a little money for each, but you’ve got 23 items, that adds up fast. And honestly, but the time you’ve got a couple dozen items, you’ve probably built up enough of a fan base that it’s not a little money each, it’s several thousand bucks each. And then you are styling.

Gun Runner will show up next, followed by Monster Hunter Bloodlines. GR I’m not sure how it did because it came out in February of everybody panic and freak out and shut down the world. Though that had gotten better by the time Bloodlines came out, when I had the weirdest pandemic, post-apocalyptical book tour in September.

The moral of this story is work. Work your ass off. Produce. Keep trying to get better. Keep growing that fan base. I self published my first book in 2007, had my first Baen publication in 2009, and have continually worked and tried to improve that whole time. This business it is not easy to be successful, but it is super easy to fail. Don’t get jealous of others who are doing better than you, instead observe them and see what you can learn from them, if anything.

And have fun. That’s the most important thing. If you’re having fun writing it then the readers will have fun reading it.